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XCHO to perform in Moscow on 11 October: from headphones to a live audience
XCHO is listed at Moscow's VK Stadium on 11 October 2026 at 20:00. The announcement names familiar tracks; the concert's age rating is 16+.
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XCHO is listed at Moscow's VK Stadium on 11 October 2026 at 20:00. The announcement names familiar tracks; the concert's age rating is 16+.
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A Byba concert is listed at Svoboda club for 16 October 2026. Start: 19:00; age rating: 16+. The announcement promises new songs and guests.
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Kaspiyskiy Gruz is listed at Soho Rooms on 17 October 2026. Guests are welcomed from 22:00, with the artists due on stage around 01:30 on 18 October. The event is 18+.
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The first of 9mice's Moscow evenings at MTS Live Hall is scheduled for 24 October 2026. The event starts at 18:00; the artist will take the stage no earlier than 19:30. Age rating: 16+.
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MIKAYA is listed at Moscow's TAU on 7 November 2026 at 19:00. The announcement includes new songs and refreshed visuals; the event's age rating is 16+.
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The Moscow stop of Boulevard Depo's “Tur a-la kart” is listed for 12 December 2026 at VK Stadium. Start: 20:00; age rating: 16+.
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Haski will perform at St Petersburg's Yubileyny Sports Complex on 13 December 2026. Start: 20:00; 18+. The programme announcement lists tracks from the album “Partizan”.
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Basta will perform at Gazprom Arena on 19 December 2026 at 19:00. Entry is listed from 17:00; the standing floor and fan zone have separate age conditions.
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The Kazan stop of the Mille Grazie Tour is scheduled for 14 November 2026: Friendly Thug 52 NGG will perform at Korston. Start: 19:00; age rating: 16+.
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Guf will perform at Perm's Molot Sports Palace on 7 November 2026 at 19:00. The date appears in the organiser's official itinerary; the ticket listing gives an 18+ age rating.
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This issue returns to the existing video work DRIME AND JAIZY. It is an editorial archive pick, not a premiere announcement.
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Ten events in Moscow, St Petersburg, Kazan and Perm make up MOTA's editorial concert listings. The selection comes with links and a calendar file.
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Fifteen MOTA journal articles accompany the new concert listings, covering concerts, the structure of a rap line, video works and thoughtful conversations about art.
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Journal
An opening act's name is easy to overlook. We suggest a different way into the autumn concert season: hear an unfamiliar performer before comparing them with the headliner.
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A short video preserves a frame, not the whole evening. An editorial experiment for listeners: choose one song not to film and notice how your attention to the room changes.
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The journey out of a club can become the final chapter of a musical evening. How to write an urban postscript to a concert while keeping vivid details and a personal voice.
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A familiar track changes beside another song. Listen to a concert programme as a sequence of decisions and look for the moment the evening changes direction.
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A shared chorus brings together different personal stories. We explore what to notice in an audience response and why volume alone cannot explain the power of a concert moment.
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Rhyme can work long before a line ends. We explore how echoes of sound guide rap delivery and check whether the thought itself has been lost behind the technique.
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Past, present and future give the same scene different force. Write three versions of your own verse and notice how tense changes the distance between character and listener.
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A short background remark can support a character, question them or change a line's mood. Explore the character of ad-libs in an eight-bar passage of your own.
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Beautiful shots do not yet explain what happened between them. Assemble a rap-video scene from simple placeholders and test the action before colour, effects and details.
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Take your own demo passage from the studio into everyday listening. Explore which musical idea survives on another device and what needs checking in this version.
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Revisiting the already-published DRIME AND JAIZY punk video through genre expectations. What does a viewer bring before the first frame, and how can that be tested?
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The first and second episodes of “The Story of Atom the Cat” are already available on MOTA's YouTube channel. Watch them as a series and explore what helps a viewer return.
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An available work can offer a new reason to watch. Open MOTA's YouTube channel with a question of your own, keeping a return visit distinct from a premiere.
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MOTA's public catalogue also shows works in preparation. How can we discuss a forthcoming track with interest while keeping its status and listeners' expectations accurate?
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Journal
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Common Cause uses documentary conventions to tell an explicitly fictional comic story.
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On 11 September 2026, kizaru released CA$HEY.
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Kai Angel continued his September series with Shh!, released on 11 September 2026.
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On 11 September 2026, SODA LUV released Прими как есть.
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EST Gee released BIGGER THAN THE DEVIL on 11 September 2026 through CMG/Interscope Records.
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SEDITION is a new album by Nine Vicious, released on 11 September 2026.
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According to Pitchfork's report dated 11 September 2026, Quavo released Backwards featuring T.I.
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WORLDWIDE WAVE, a joint album by D-Block Europe and French Montana, was released on 11 September 2026.
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VK Stadium's official listings announce a NAVAI solo concert on 22 October 2026 in Moscow.
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nkeeei, uniqe and ARTEM SHILOVETS are listed for 14 November 2026 at VK Stadium in Moscow.
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VK Stadium's Moscow listings schedule Zatochka for 15 November 2026.
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On 8 September 2026, Runway introduced a plugin for Premiere Pro and After Effects.
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In the September Premiere 26.5 update, Adobe highlights two notable tools: Generative Media Tool and Paper Edit.
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On 3 September 2026, Runway presented the GWM Worlds 2 research demonstration.
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On 8 September 2026, Blackmagic Design announced DaVinci Resolve 21.1.
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News
On 11 September 2026, Rakim's official channel published the Rabbit video: Rakim x Kurupt x Masta Killa featuring MAC SHAWN 100.
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Journal
The verse sounds confident, but loses its character over the full beat?
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One take has a more precise start to the line; another has the right final inflection.
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If the voice sounds different in every take, plugins are not necessarily the problem.
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The camera is in place, the lighting is ready and the artist is focused.
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You like the lighting in the first shot, but after moving the camera the face suddenly looks different.
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In the first shot the character wears a short jacket; in the second the pockets change; in the third an object disappears from their hand.
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A character walks, the camera circles, the city changes, rain begins, then another scene follows.
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A shot looks striking on its own, but beside its neighbour the skin shifts from green to pink.
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Words jump to the beat and look striking, then disappear before anyone can read them.
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You can crop a horizontal music video into a vertical rectangle in a minute.
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A folder containing files named final, final2 and final_final does not explain exactly what should be published.
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Needing content for a track is a good conversation starter, but not yet a production task.
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Making a video more dynamic could mean more frequent cuts, a shorter introduction or simply a different opening shot.
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A week after a successful generation, it can be hard to remember which reference you used and what you changed manually.
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